Аннотация
This paper explores the cultural and spiritual significance of traditional drumming in Akwa Ibom State, highlighting its role as a sacred practice that bridges the physical and spiritual realms. Rooted in ancestral knowledge and spiritual belief, Akwa Ibom State’s drumming traditions reflect a deep cultural heritage preserved through skilled artisanship and ceremonial performance. Despite pressures from modernisation and shifting youth engagement, drumming endures as an act of cultural resistance, finding new life in schools, festivals and even religious spaces. The distinct rhythms among the Ibibio, Annang and Oron peoples reflect unique identities while reinforcing shared heritage, affirming drumming role as a dynamic, evolving heartbeat of cultural continuity. The study adopts Cavalli-Sforsa and Feldman Cultural Transmission Theory. It also examines the construction methods of indigenous drums, crafted from sacred woods and animals skins, and their symbolic meaning of components. Sustaining this tradition is essential for preserving the identity and heritage of the Akwa Ibom People. To ensure its sustainability, strategic interventions are recommended; like establishment of cultural training centers and documentation of rhythms and practices through audiovisual archives etc. The study concludes that by combining institutional support, technological outreach and grassroots participation, Akwa Ibom State can preserve its rich drumming heritage as a living evolving tradition, ensuring that the rhythm continues to carry the voice of its people into the future.